Museo del Prado Announces Restoration of its Annunciation by Fra Angelico thanks to support from American Friends of the Prado Museum and Friends of Florence

Renaissance masterwork will be the centerpiece of a special exhibition of the artist’s work opening in May 2019 in celebration of the Prado’s Bicentenary

November 20, 2018, Madrid, Spain...A generous contribution of €150,000 ($171,000) to the Museo del Prado (the Prado), made equally by Friends of Florence and American Friends of the Prado Museum, will go towards restoring The Annunciation by Fra Angelico and other works not held at the Prado Museum to be included in a major exhibition slated for the coming year, Fra Angelico and the Rise of the Florentine Renaissance. The exhibition is part of the Prado’s Bicentenary celebration in 2019.

Miguel Falomir, Director of the Museo del Prado, Simonetta Brandolini d’Adda, President of Friends of Florence, and Christina Simmons, Executive Director of American Friends of the Prado Museum, signed a partnership agreement last Wednesday at the Prado in Madrid, Spain.

On view from May 28–September 15, 2019, the exhibition of some 40 pieces is curated by Carl Brandon Strehlke, curator emeritus at the Philadelphia Museum of Art. The exhibition’s centerpiece, The Annunciation, was painted by Fra Angelico in the mid- 1420s, and is considered the first Florentine altarpiece in the Renaissance style, using perspective to organize space and forsaking Gothic archways in favor of more rectangular shapes, in line with the aesthetic implemented by the architect Brunelleschi in his innovative approach to the churches of San Lorenzo and the Santo Spirito.

The main purpose of restoring the work is to recover the rich, vivid colors and intense light that imbue the scene. Both are characteristic elements both of this piece and of the artist's work in general but, over time, have been obscured under layers of dirt and pollution accruing on the surface. The intervention will also eliminate abundant layers of paint applied latterly to the intersection between two of the four wooden panels on which the work is painted. Over the years, the wooden backing developed structural problems as two of its panels separated, opening a crack running through the figure of the angel and causing layers of paintwork to be lost. Several attempts had been made to repair the damage and preserve the piece, the most recent in being 1943. However, in addition to restoring losses on either sides of the seam, these attempts had also painted over extensive areas of the original work. Over the years, these new layers deteriorated badly, ultimately manifesting as blemishes that severely affect the quality of the piece.

The exhibition will also include other Florentine works being restored in Italy, also thanks to the generosity of Friends of Florence and American Friends of the Prado Museum. These will include Virgin and Child by Michele da Firenze, currently housed in the Museo Nazionale del Bargello; Donatello's terracotta Virgin and Child, also featuring two angels and two prophets and owned by the Museo di Palazzo Pretorio; and Gherardo Starnina's Trinity, from the Chiaramonte Bordonaro collection.

The exhibition will analyze the beginnings of the Florentine Renaissance in 1420-1430, focussing on Fra Angelico (Guido di Pietro da Muguello, 1395/1400-1455). Fra Angelico is considered one of the great Renaissance masters having produced some of the major artistic achievements of the time and place, along with painters Masaccio, Masolino, Uccello and Filippo Lippi, sculptors Ghiberti, Donatello and Nanni di Banco, and the architect Brunelleschi.

The Annunciation will be a central work in the exhibition, accompanied by another two of Fra Angelico's works recently added to the Prado’s collection: The Funeral of Saint Anthony Abbott, and The Virgin of the Pomegranate, both from the Duke of Alba's collection, the former donated and the latter purchased.

American Friends of the Prado Museum
American Friends of the Prado Museum is a U.S. non-profit organization with the mission of contributing to the knowledge and conservation of one of the most important collections of European art and objective of strengthening the cultural ties between the U.S. and Spain through the Prado Museum and its artistic, historical legacy.

A group of art patrons from the U.S. created the institution with the aim of fomenting the philanthropic potential existent in the U.S. with its tradition and culture of supporting worthwhile causes. Of all the international visitors to the Prado Museum, visitors from the U.S. are consistently the most numerous year after year, which makes American Friends of the Prado Museum an excellent means to encourage support for the painting gallery.

To stimulate support for one of the finest painting galleries in the world, American Friends of the Prado Museum offers a diverse Friends program beginning from $100 per year and includes free entry to the Museum to both permanent collection and temporary exhibits, as well as the possibility of guided visits in English, among other benefits.

Individual, corporate and institutional contributions to American Friends of the Prado Museum, a 501 (c) 3 non-profit institution, may benefit from the fiscal deductions offered by the I.R.S.

Projects
Since the beginning of its activity in 2015, American Friends of the Prado Museum has received William B. Jordan’s donation of a newly attributed portrait of King Philip III (1627) by Velázquez, now on view in the Velázquez galleries of the Museum; edited in English the research publication on its discovery titled Portrait of Philip III by Velázquez Donated by William B. Jordan; and sponsored the Bosch and Flemish painting gallery guide in English for visitors to the Prado.

In the U.S., it has co-organized with the Museo del Prado three educational exhibits of “The Prado in the streets” in the cities of Santa Fe, Albuquerque, and Las Cruces in New Mexico. It has provided educational material about the Museo del Prado for 130 schools in North America in collaboration with the Spanish Embassy in the U.S.

For further information: www.afpradomuseum.org
info@afpradomuseum.org
Tel. U.S.: 1 786 453 5283
Tel. Spain: (+34) 91 420 2116

Friends of Florence
Friends of Florence is a non-profit foundation supported by individuals from around the world who are dedicated to preserving and enhancing the rich cultural heritage of Florence and Tuscany and conserving irreplaceable artistic and cultural treasures. Friends of Florence identifies significant projects spanning centuries in need of restoration, secures funding, and works in collaboration with local authorities to complete projects.

Since its founding in 1998, the foundation has raised and donated $10 million for conservation projects in the region. Friends of Florence works directly with Florence’s famed conservation laboratories to ensure restoration is done at the highest level, has the approval of the City of Florence and the Italian Ministry of Art, and is completed on time and on budget.

Through its work, Friends of Florence creates opportunities for the study and appreciation of paintings, sculptures, architectural elements, places of worship, and collections at the Uffizi Gallery, the Accademia, the Baptistry, the Piazza della Signoria, the Museum of San Marco, and dozens of other museums, churches, and public sites.

A model of high-impact, low-overhead philanthropy, Friends of Florence is the primary source of funding for the city’s conservators, a respected partner with museums and cultural authorities in Italy and the U.S., and a publisher/producer of publications, multimedia offerings, seminars, lectures, and cultural travel opportunities.

A selection of project highlights:
The marble statuary in the Loggia dei Lanzi in Florence’s Piazza della Signoria were restored as a first project for Friends of Florence including Giambologna’s Rape of the Sabines

To celebrate its tenth anniversary, Friends of Florence restored the entire Tribune in the Uffizi Gallery after having restored the Niobe Room and numerous ancient sculptures. In 2016, five galleries were renovated housing paintings by Botticelli and Pollaiolo—among the most widely recognized artworks in the Western canon—which underwent extensive conservation as part of the project.

Giovanni Francesco Rustici’s bronze sculptural grouping over the north doors at the Florence Baptistry titled The Sermon of St. John the Baptist were restored and support
was given to finalize the conservation of Ghiberti’s Gates of Paradise.

Ghirlandaio’s monumental painting Last Supper at the Badia a Passignano in Chianti was restored, and the refectory was reopened to the public.
The entire Cloister of the Vows with frescos by Andrea del Sarto, Pontormo, and other artists at the Church of the Santissima Annunziata was restored during a four-year
conservation effort.

Since contributing to the restoration in 2004 of Michelangelo’s David, the Prisoners, and numerous other artworks at the Accademia, Friends of Florence continues to support the maintenance of these masterpieces on a yearly basis. Friends of Florence recently restored the entire Capponi Chapel with its iconic Pontormo masterworks and other artworks.

For the millennial anniversary of the founding of San Miniato a Monte church overlooking Florence, the main altar was completely restored by Friends of Florence in 2018.

Major restoration projects have also been completed in many other churches in Florence including Santa Croce, San Lorenzo, Santo Spirito, and S. Felicità and in numerous museums including the Horne Museum, the National Archeological Museum, Palazzo Vecchio, the Bargello, the Prado Museum and the Cathedral Museum.

Organization and Leadership
Simonetta Brandolini d’Adda, president and co-founder of Friends of Florence and a resident of Florence since the 1970s, established the foundation as a way to share her love for the city and its extraordinary collection of art and architecture and to address urgent, unaddressed needs for cultural preservation. The foundation is directed in the U.S. by her sister and co-founder, Renée Gardner, a Friends of Florence trustee and officer, and is guided by an international Board of Trustees, Council of Academic Advisors, and the Council of the Future, which offers opportunities for engagement to young, emerging leaders in preservation.

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